Artist Jon Planas talks about his artwork, his time in New York City, and how he sees the world of art evolve.
How would you describe your work?
I appreciate this opportunity to talk about my original work. It’s always good to bring people in and know what I am thinking about everyday. I’m constantly on the lookout for ways to fund my artistic vision. Turning to technology and digital programs has been incredibly exciting. I’ve delved deep into the digital world, using AI to transform my original drawings and paintings into a fascinating collection of imagery. This has opened up new avenues for commercializing my work, from paintings to lampshades and t-shirts, allowing me to establish my brand as more of a designer.
You now live in LA but were a vital part of the New York grunge art scene of the 1980s. Care to share any crazy stories with our readers?
My formative years in New York City exposed me to the omnipresent influence of splashy advertisements covering walls and subway stations. The constant directives from Madison Avenue, urging consumers to conform and adopt a certain lifestyle, fueled my rebellious spirit. This defiance found its expression in my art, particularly in my decision to paint on clothing — an act of reclaiming individuality in the face of consumer-driven expectations.
Did you see the art world evolve in NYC when you lived here?
In 1982, a transformative shift occurred in my art as I embraced fluorescent colors, using them to case areas and outline designs in my paintings. Exhibiting under black lights created a mesmerizing effect, reminiscent of the ’70s blacklight posters that surrounded my upbringing. This vibrant palette extended beyond canvases to my hand-painted clothing, catching the attention of celebrities like Grace Jones, Madonna, and Robin Williams. What began with unique dinner jackets evolved into a comprehensive collection, spanning ashtrays, window blinds, hats, and more. My living space became a living work of art, attracting media attention and establishing me as the creator of these one-of-a-kind, neon-infused masterpieces.
You now live in LA. Did you see a shift in your work after moving from NYC to LA?
Living in Los Angeles for the past 32 years has shifted my artistic influence from the bustling urban environment to a more relaxed, semi-beach aesthetic. The wild streaks of my explorative years have tempered, but the city still offers larger-than-life experiences with chance encounters with celebrities in everyday places. In LA, my creative output transitioned towards designing billboards. I’ve crafted three-dimensional billboard designs that promoted companies like Absolut Vodka through their financial sponsorship, leaving an imprint on the iconic Sunset Strip.
What do you see for the future of your work as it molds and evolves over the years?
Over the years, there’s been a constant struggle to define my artistic discipline. The tension between seeking acceptance in the fine arts and embracing the commercialization of my work has led to confusion about my classification as an artist. Today, I’ve broken free from those constraints. I care less about labels and more about the impact my work has on the audience — eliciting emotions and reactions. It’s not just about me as an artist; it’s about creating a connection with those who appreciate the colors on my canvases.
IG: @jon.planas
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