Crossing Over: A Memorial Celebration of Nancy Azara’s Life, Art and Spirit

Nancy’s last piece, Paradiso, 2024, carved and painted wood with aluminum leaf and nailed copper sheet. Photo Credit: John Kleinhans

“The woods speaks… and I listen.” –Nancy Azara

This weekend we gather at the Woodstock Byrdcliffe Guild to honor the life, art and legacy of Nancy Azara—a visionary sculptor, feminist mystic and educator. This memorial celebration will feature a curated exhibition of Nancy’s carved wood sculptures, mixed media collages, banners, scrolls, and prints, alongside shared moments of remembrance, ritual, and reflection. In a moving continuation of their shared creative life, Darla Bjork, Nancy’s beloved partner of over forty years, will also present new work created after Nancy’s crossing. This memorial celebration will include a special performance by Go! Push Pops collective (Katie Cercone & Elisa Garcia de la Huerta) with Fanny Pérez Gutiérrez to honor Nancy—a dear friend, mentor, and inspiration. The live performance involves expressive movement and sound inspired by a reading of my essay “Nancy Azara: A Female Language of Divinity, Empathy and Loss,” a text included in Azara’s self-published book, coinciding with the opening of her VOTIVES exhibition at CBG Gallery in 2022.

@fannnsystem whirling in front of Nancy’s sculpture at her show Votives, CBG gallery (2022)

In addition to Nancy’s work, the show also highlights her partner Darla Bjork’s recent body of paintings. A quiet yet potent presence in Azara’s life and community, Darla’s practice—like Nancy’s—is a testament to the intimate dance between art, spirit, grief, and transformation. 

Yellow Mask, Darla Bjork, 2025, encaustic on wood panel

Nancy Azara’s life work defied dominant aesthetic frameworks and patriarchal lineage. Her creative lineage was elemental—drawn from tree and soil, body and myth, the unseen forces and the feminine divine. She offered us images not to consume but to commune with—works that asked: What lives beneath the surface? What needs to be remembered? What longs to be healed?

Nancy Azara in the studio, photo credit: Francesco Capponi

Born in Brooklyn to a Southern Italian family, Azara’s artistic path began with costume design at Finch College, later expanding into visual art through her studies with Edwin Dickinson and John Hovannes at the Art Students League of New York. This expanded her technical foundation, but it was the call of the unseen that shaped her path. She soon emerged as a trailblazing feminist voice, uninterested in conforming to the dominant aesthetic frameworks of her time.

In the 1970s, inspired by Yogic traditions and Zen philosophy, she turned inward, developing what she called “Visual Diaries”—an intuitive drawing practice that became a form of feminist consciousness-raising and soul-mapping.  She later co-founded the New York Feminist Art Institute. For over a decade, NYFAI served as a sacred learning ground where art, feminism, and inner work were inseparable. She was also a founding influence in Ceres Gallery, a feminist non-profit gallery space, and an alumna member of A.I.R. Gallery, the first women’s cooperative gallery in the U.S. Her voice extended beyond sculpture, drawings, and collage. In her seminal book Spirit Taking Form: Making a Spiritual Practice of Making Art (Red Wheel/Weiser), Azara offered a guide to reclaiming the act of creation as a form of listening—to the earth, to intuition, and the deep feminine.

Go! Push Pops collective in Woodstock (2015)

Her artworks may be found in major institutions including the Brooklyn Museum, MoMA, the Met, the Philadelphia Museum of Art, and the National Museum of Women in the Arts—though her deepest impact lives in the hearts and hands of those she mentored, taught, and walked beside. One of the most quietly radical aspects of Azara’s work was her commitment to restoring emotional and spiritual knowledge to its rightful place –alongside intellectual inquiry, women’s advancement, and earth stewardship. Until her later years, Azara hosted intergenerational feminist dialogues called (RE)PRESENT, led annual workshops, and offered her studios in Tribeca and Woodstock as sanctuaries for growth, resistance, and reclamation. 

Go! Push Pops in front of Nancy Azara sculpture during Hand/Made: The Digital Age and the Industrial Revolution, Woodstock Byrdcliffe Guild, curated by Nancy Azara (2015)

 

This memorial will be more than a look back—it will be a continuation of Nancy’s work: a collective act of grounding, remembering, and re-envisioning. In gathering together, we honor her belief that art, like nature, is not a product, but a process of becoming. 

Opening Reception: Saturday, September 20th, 2025, 4-6pm

Memorial Gathering: Sunday, September 21st, 2025, 3-5pm


This event is free and open to the public at Byrdcliffe Kleinert/James Center for the Arts 34 Tinker Street, Woodstock, NY 12498

RSVP HERE

Hand/Made: The Digital Age and the Industrial Revolution, Woodstock Byrdcliffe Guild, curated by Nancy Azara (2015) featuring Karen Azoulay, Emily Harris, Coco Dolle, Kara Rooney, Elisa Garcia de la Huerta & Maria Hupfield

 

Katie Cercone

Katie Cercone is an interdisciplinary artist, yogi, curator & astro-feminist based in Queens, NYC. Katie teaches GENDER TROUBLE in the Visual & Critical Studies Department at SVA. To learn more about her yoga and astro-oracle offerings, follow @parvati_slice on Instagram